Friday, January 30, 2009

Jud Turner's Cybernetic Trilobites

I'm not the only one fascinated by trilobites, nor am I the only person ever to attempt to bring these long-extinct arthropods back from their world and into ours. Though it's doubtful that any one without a functioning time machine will ever see a living trilobite, people like Jud Turner are compelled to produce trilobites in effigy. As with all creative endeavours, the stimulus of the natural world becomes infused the artist's idiosyncrasies creating the synergy that is artistic expression. In Turner's case, paleontology melds with cybernetics and the steampunk aesthetic, resulting in compelling and beautiful monuments to our planet's past and future.


The symmetry and elegance of trilobite form is effortlessly amalgamated with iron's abrupt coarseness and durability and the results are stunning. Jud's combination of technological, paleontological and imaginative elements brings us a fresh take on sculptures of life from the ancient Earth.

Thursday, January 8, 2009

Sometimes I Make Trilobites


Okay, I confess, my personal interest in trilobites extends beyond passive observation. Sometimes I make trilobites of varying degrees of paleontological accuracy. The creation above was commissioned by my friend who wanted something that was not necessarily a representation of any actual trilobite fossil, so this is what I made for him.

Bristolensis

I've also made some attempts at creating speculative visions of trilobites as they may have appeared while they were living millions of years ago, as well as enlarged versions of fossilized trilobites. Many of these sculptures form part of The Trilobite Show, an online exhibit created in collaboration between myself and multidisciplinary artist Michel Gagne.

Ceratarges

Most of my sculptures are created using hand made wire armatures to give them structural support beyond that afforded by the polymers used in the sculpting process. The armatures inside the trilobites I've created are highly elaborate themselves, and some seem to have their own vitality.


These works can take anywhere from a three to seventy hours to complete, depending on their complexity and accuracy. So now you know the truth. Sometimes I make trilobites.